Each song's eq might seem best by itself, but if you series them together, all of a sudden one song sounds too brilliant (or too dull ...). Tip # 1: keep in mind that any eq changes to your stereo mix affect the entire mix - if you want to cut 3 db at 80Hz due to the fact that your mix sounds muddy, remember to examine how that affects all the instruments (e.g. the vocal), not simply the bass guitar and kick drum. Compression: In mastering, this is used not just to manage a mix or to add character, but likewise to "print" or send out as much level to the master as possible without clipping the signal.
Spacing & Crossfading.
Spacing: there are various philosophies regarding how one should approach the areas put in between songs on a record. Some feel the downbeat of one tune should fall at the start of a brand-new bar, in the tempo of the previous tune (to continue the flow.) Others believe you should prevent this like the afflict, due to the fact that it decreases the effect. In the end, do whatever feels right. There is no requirement. Cross-fade your songs if you like, or location six seconds in between them. (2-4 seconds is common in the majority of popular, non-classical records, but it's up to you.) Final tip: you might be inclined to master the very same recordings that you blended, whether it is for financial factors, creative factors, or merely since you can. We strongly advise that you get someone else to master your job. The objectivity and fresh ears they give the table invariably result in a stronger, more cohesive album.
Typical areas of concern for a mastering engineer are: equalization (eq), compression, levels (volume) relative from Trap Instrumentals one song to the next, and spacing between songs. Or you may have ten songs mixed by three different engineers in five different studios.
Each song's eq may appear ideal by itself, however if you series them together, unexpectedly one tune sounds too brilliant (or too dull ...). Idea # 1: keep in mind that any eq modifications to your stereo mix impact the entire mix - if you desire to cut 3 db at 80Hz since your mix sounds muddy, remember to inspect how that impacts all the instruments (e.g. the vocal), not simply the bass guitar and kick drum. Compression: In mastering, this is used not just to control a mix or to add character, however likewise to "print" or send out as much level to the master as possible without clipping the signal.
